Everything about the contemporary is panda
von
Michal Martychowiec
Jahr
2017
Maße
75 x 100 cm
Material
Chromogener Druck
Edition
1 von 3
Preis
auf Anfrage
Everything about the contemporary is panda
The panda has become a significant symbolic element in Martychowiec’s narrative since 2016. This project utilises various symbols with emphasis on the panda which functions on several levels and throughout many different areas of human activity: politics, culture, conservation, ecology and then again as a sort of idol.
The panda also symbolises the contemporary man, following Ortega y Gasset: ‘a satisfied little man’.
The panda is the most reappearing element, as it follows modes of existence of the spectator and most importantly pivotal moments of art history, whereas the other elements become interwoven comments on contemporary human conditions. This project is in a very direct discourse to two other bodies of work: The incredulity of St Thomas (where Thomas becomes a somewhat symbol of the spectator) and Josephine (where the rabbit Josephine becomes an existential symbol in opposition to the panda).
The mentioned actors of the projects represent these different modes of existence and they are meant to be understood as symbols. The two symbols operated with in this project are:
- The panda. A degenerated creature (we want to keep the good times even though they are gone) – following Robert Lifton and Ortega y Gasset.
- Marcel Duchamp. A 20th-century artist and professional chess player.
This project is about the interconnection between belief (faith) and freedom. The readymade, the choice of the frame made by the artist, and since recently also the spectator, are ideas (in a platonic structural sense) one can reflect upon.
This cycle of photographs consists of stills from a film which has never been made (or as it might be read by history - has been lost). One statement of the artist is mixed with statements from historic artists: Marcel Duchamp, Bethan Huws, Kazimir Malevich, Francisco Goya... The stuffed panda from the museum functions as symbols of death, or failure (of preserving its own species, of being preserved as a work of art, of the meaning of artists’ words being preserved...).
Weitere Werke des Künstlers
Name All is history
Größe 25 x 75 cm
Jahr 2012
NameBlue#1
Größe 175 x 220 cm
Jahr 2013
Name Blue#5
Größe 175 x 220 cm
Jahr 2016
Name What remains the poets provide
Größe 130 x 100 cm
Jahr 2018
Name Shred of Turin
Größe 29 x 44 x 47 cm
Jahr 2018
Name Everything about the contemporary is panda: Piero Manzoni 1961
Größe 75 x 100 cm
Jahr 2016
Name After Wanderer above the Sea of Fog
Größe 47,5 x 43,5 cm
Jahr 2020
Name Everything about the contemporary is panda
Größe 40 x 60 cm
Jahr 2016
Name Everything about the contemporary is panda (Bethan Huws)
Größe 75 x 100 cm
Jahr 2017
Name Everything about the contemporary is panda (Kazimir Malevich)
Größe 75 x 100 cm
Jahr 2017
Name Everything about the contemporary is panda (Francisco Goya)
Größe 75 x 100 cm
Jahr 2017
Name Everything about the contemporary is panda
Größe 75 x 100 cm
Jahr 2017
Name the historic level
Größe 23 x 127 cm
Jahr 2017
Name Has Marcel Duchamp changed the world?
Größe 25 x 220 cm
Jahr 2014
Name The incredulity of Saint Thomas: Limited by history
Größe 15 x 21 cm (exkl. zerbrochene Isolierglasscheiben)
Jahr 2020
Name The incredulity of Saint Thomas
Größe 76 x 61 x 3 cm
Jahr 2015/2020
Name The incredulity of Saint Thomas
Größe 36,5 x 29,5 x 2 cm
Jahr 2015/2020
Name Josephine 2017 (Blue)
Größe 60 x 50 cm
Jahr 2017
Name Josephine 2018 (Red)
Größe 60 x 50 cm
Jahr 2017
Name Josephine 2019 (Green)
Größe 60 x 50 cm
Jahr 2017