thesaurós artists

Elshan Ghasimi at the Wallraf-Richartz-Museum / Festival for old music, Kölner Philharmonie

Elshan Ghasimi at the Wallraf-Richartz-Museum / Festival for old music, Kölner Philharmonie

Circular I 21

Elshan Ghasimi at the Wallraf-Richartz-Museum
Festival for old music of the Kölner Philharmonie

CONCERT
28th of August, 1 pm

Dear friends of the muses,

after a long, busy silence, we are pleased to announce the next public event, a concert by Elshan Ghasimi in Cologne.

The Persian classical musician and composer, the percussionist and composer Johannes Fischer and the idea man and baroque flutist Jeremias Schwarzer will premiere as soloists with a new programme at the Wallraf-Richartz-Museum in Cologne on 28 August. They will be accompanied by Concerto Köln, an orchestra specialising in historical performance practice of the 18th and early 19th centuries.

The programme is called 'Tafelmusik'; concept, space, video and art direction are provided by Folkert Uhde, Ilka Seifert is responsible for the dramaturgy. An amalgam of historical figures and traditions.

We wish everyone a wonderful feast. From 1 p.m., for about three hours in the Stifter Hall of the museum. Admission is free.

Julian Malte Hatem Schindele

© Arnauld Ele

© Arnauld Ele

PERFORMERS / CONTRIBUTORS

Elshan Ghasimi tar, composition

Jeremias Schwarzer recorder, musical conception, idea, artistic direction

Johannes Fischer percussion, composition

Members of Concerto Köln

Lea Schwamm violin

Tristan Braun violin

Aino Hildebrandt viola

Alexander Scherf violoncello

Michael Dücker lute

Markus Märkl harpsichord

Folkert Uhde concept, space, video, direction

Ilka Seifert dramaturgy

PROGRAM

Works by Georg Philipp Telemann, Henry Purcell, Ali Akbar Khan, Johannes Fischer, Elshan Ghasimi and others as well as improvisations

PRESS RELEASE OF THE KÖLNER PHILHAROMNIE ON THE FESTIVAL

"FELIX!" is the name of the Cologne festival for historical performance practice. What is behind it? In the Kölner Philharmonie, among other venues, numerous internationally renowned artists dedicate themselves to the music of times long past. On original instruments and with knowledge of the playing practices of the time, they bring the sound of the past into the present and, in combination with contemporary compositions and immersive sound designs, make it fit for the future. In doing so, they not only dedicate themselves to the music of the European Baroque, but also go on long journeys to far-flung musical cultures. On 28 August, "FELIX! urban" will be a full day of music with free admission.

See the entire program of the festival: https://www.koelner-philharmonie.de/en/festivals/felix/205

© Folkert Uhde

© Folkert Uhde

Posted by Joseph in News
MICHAL MARTYCHOWIEC – EMPIRE STREAM / LINK

MICHAL MARTYCHOWIEC – EMPIRE STREAM / LINK

Dear Readers,

Now the time has come, on this historic day, November 3rd, 2020 at 8:15 am, Empire begins.

Please click on the photo to watch the stream.

Posted by Joseph in News
MICHAL MARTYCHOWIEC – EMPIRE LAUNCH 3rd OF NOVEMBER

MICHAL MARTYCHOWIEC – EMPIRE LAUNCH 3rd OF NOVEMBER

Dear Readers,

Tomorrow, 3 November, a performance by the ever-popular rabbit Josephine Beuys will be launched - as a satellite of the current exhibition Josephine, entering the maze in Berlin. This work of art will be simply called Empire and lasts from 8:15 CET until the end of the internet.

Martychowiec gives the following statement:

"In this video citing the famous underground experimental film by Andy Warhol (Camera Jonas Mekas), Martychowiec constructs a perpeutal political statement combining a historical quotation and his own visual and symbolic language.

The question of freedom remains paramount, perhaps more than ever, in the contemporary landscape. The simple, just over 8 hours long film Empire is drawing a metaphor on freedom, power structures and their nature."

Interior of the current exhibition ©Stefan Hähnel

Interior of the current exhibition ©Stefan Hähnel

"One could say attachments to land, to home, dwell deeply in all of us who inherited these attitudes from the early settled farming societies. Settled (immovable) life offers security – through an unchanging place, routine, foreseeable source of food, etc. Exploration and the unknown with their potential promises are replaced with security of basic needs fulfilled. Thus the ‘cage’ on one had could be understood as a frame imposing various existential, ethical, systemic frameworks and on the other hand, offering protection and sense of security."

Exterior of the current exhibition ©Stefan Hähnel

Exterior of the current exhibition ©Stefan Hähnel

"What does it all, however, mean to the modern contemporary man? More, because the mean of control has become so sophisticated, so that those subjected to it, perhaps, lack even the basic awareness of being part of that system. Is Josephine ‘aware’ of being caged at all? Does the guaranteed supply of daily necessities suffice to prevent any need of venturing out of the ‘comfort zone’?"

Posted by Joseph in News