elshan ghasimi

Elshan Ghasimis “Tasneef. Ancient Songs, New Life” from March to June 2025

Elshan Ghasimis “Tasneef. Ancient Songs, New Life” from March to June 2025

Dear Listeners,

We warmly invite you to experience Elshan Ghasimi’s first song cycle, Tasneef, presented in four concerts from March to June. The series begins with an evening concert at the Catholic Academy in Berlin on March 17.

Thanks to the generous support of the Berlin Senate, all concerts are free of charge. What a country, what a cultural space that makes this possible!

From the press release:

The Persian musical tradition is deeply rooted in history, poetry, philosophy, and cultural identity. One of its most fascinating forms is the Tasneef. In classical Persian art music, the term means song and stands in contrast to popular songs (Taranee) or political songs (Soroud). Tasneef represents an intimate fusion of music and poetry. Elshan Ghasimi reinterprets this tradition by incorporating elements from pop and folk music, reshaping it and elevating it into the sphere of classical music.

Elshan Ghasimi Tasneef 2025 Poster

© Madeleine Brunnmeier_Photo | © Masoud Morgan_Design

While preserving the foundation and structure, she simultaneously deconstructs and reconstructs the form, intervenes in the poetic language, politicizes some of these songs, and, for example, swaps gender roles. Colloquial expressions are transformed into formal language. In this way, Elshan Ghasimi fuses classical and contemporary elements of Persian music and poetry into an amalgam shaped by millennia, bringing these ancient songs to new life.

Deeply rooted in the Radif tradition—the orally transmitted repertoire of Persian music passed down through centuries—she not only keeps this musical heritage alive but also makes it accessible to a new, international audience.

Concert Dates

Elshan Ghasimi – Tasneef
📅 Monday, March 17, 2025
🕗 8:00 PM
📍 St. Thomas von Aquin (Catholic Academy), Hannoversche Str. 5, 10115 Berlin

Elshan Ghasimi – Tasneef
📅 Sunday, May 4, 2025
🕔 5:00 PM
📍 Hochmeisterkirche, Westfälische Str. 70a, 10709 Berlin

Elshan Ghasimi – Tasneef
📅 Sunday, May 25, 2025
🕒 3:00 PM
📍 Waldkapelle, Waldstraße, 12589 Berlin

Elshan Ghasimi – Tasneef
📅 Friday, June 20, 2025
🕖 7:00 PM
📍 KulturKirche Nikodemus, Nansenstraße 12, 12047 Berlin

🎟 Free admission

ℹ️ More Info:
WEBSITE
INSTAGRAM

 

Supported by:

Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt
Posted by Joseph in News
Elshan Ghasimi & Wu Wei | The Reinterpretation of the Radif

Elshan Ghasimi & Wu Wei | The Reinterpretation of the Radif

Dear Readers,

First and foremost, on behalf of the Bublitz platform, I wish you a New Year blessed by your chosen god, goddess, or entity! A year that has already unfolded with wild intensity, its further turbulence pressing upon us with an uneasy weight. Why are we Europeans so unsettled? Without question, we lack a sense of identification and connection with the deeper cultural structures that have shaped us. And, in turn, we lack a firm footing in time and space. In the past, one might have spoken of metaphysical homelessness. We have severed our roots, and technology only accelerates the process, while our brains—still wired for the open steppe and the sabre-toothed tiger, as neurophysiologists remind us—struggle to adapt.

A pressing question remains: what can we, as Europeans—whether left, right, or centrist democrats—agree upon? We must find our Marianne, our shared foundation. What can we take pride in? What defines our cultural self-understanding? Pride—a term our parents’ generation deconstructed with historical good reason, yet one we find ourselves needing once again. To lift our heads, to meet danger at eye level (B. Brecht). We must never cede our history to the extremes, and so we must learn not to despise it. Call it patriotism, or call it a connection with what is good and given—a quiet trust in its enduring presence.

The Temple of Time by Emma Willard, 1851—A historicist gem.

The Temple of Time by Emma Willard, 1851—A historicist gem.

Pallas Athena is the patron of Elshan Ghasimi’s Radif renewal.

© Georg Stirnweiß. Pallas Athena is the patron of Elshan Ghasimi’s Radif renewal.

Europe is a radiant beacon of global cultural renewal! Nowhere else do so many high-cultural creative energies and encounters unfold with such intensity.

It is a profound achievement that our continent has become a home for artists and cultural practitioners from across the world. Europe stands as a platform for freedom, diversity, and the rebirth of cultures in exile—this is soft power in its purest form.

Artists from countries such as Iran, Ukraine, or Russia find in Europe the space to realise their visions and to breathe new life into their cultural traditions from afar.

On Wednesday, 12 February 2025, from 18:00 to 20:00, the Humboldt Forum will host a musical dialogue. The renowned Chinese instrumentalist Wu Wei (Sheng) and the Persian virtuoso Elshan Ghasimi (Tar) will perform together for the first time. Both are members of the Sabdagatitara network, shaping a musical exchange that interweaves diverse cultural traditions into a singular, evocative tapestry.

Furthermore, on Sunday, 23 February 2025, at 16:00, Elshan Ghasimi invites you to the Emmaus Church Community in Zehlendorf for her long-term project, The Reinterpretation of the Radif—a concert cycle that draws the deep cultural and musical traditions of Persia into the present moment.

One final aspect I wish to bring into this brief outline: let us once again seek identification with the deep cultural roots of pan-European heritage. What does this mean in concrete terms? That we are all, in a sense, Greeks—for what could be more enriching than seeing ourselves reflected in Sappho, Newton, Marcus Aurelius, or Hildegard? Let us celebrate ourselves and our history. Let us celebrate together.

Join us in celebration.

With warm regards,
Julian Malte Hatem Schindele

SHORT INFO

 

SabdaLab12 – Time Thief of the Silk Road

Date: Wednesday, 12 February 2025
Time: 18:00 – 20:00
Venue: Humboldt Forum, Berlin
Meeting Point: 18:00 – 18:15 in the larger courtyard (Schlüterhof), in front of the museum shop
Admission: Free
Artists: Elshan Ghasimi & Wu Wei
More infoSabdaLab12 – Time Thief of the Silk Road

 

The Reinterpretation of the Radif

Date: Sunday, 23 February 2025
Time: 16:00
Venue: Emmaus Church Community
Address: Onkel-Tom-Straße 80, 14169 Berlin
Contact: Tel.: 030 813 4008
Admission: Free
More infoElshan Ghasimi – Concerts

© Madeleine Brunnmeier. Click on the photo to access the recording of Dastgah-e Shur—one of the twelve modal groups that form the Radif.

Posted by Joseph in News
Highlights of the year 2024

Highlights of the year 2024

Dear friends of the arts and muses,

As 2024 draws to a close, we reflect on a year spent deeply exploring the pressing questions of memory and identity in an increasingly fragmented world. This journey has brought forth fresh perspectives on historical legacies and personal narratives, demonstrating time and again the profound ways in which art engages with the issues of our era. As we look back, we wish to revisit some of the year's key moments, which centred not only on artistic endeavours but also on fostering intellectual exchange.

Opening words by the curators JMH Schindele and Eleonora Frolov on 17 August 2024

Opening words by the curators JMH Schindele and Eleonora Frolov on 17 August 2024

The exhibition ‘New Memories (El Arbi Bouqdib Archive)’
August to October at Pumpwerk Berlin: identity as a collective narrative

The exhibition ‘New Memories’ opened in August at a new venue, the former Altglienicke waterworks in southern Berlin. A significant milestone this year, it explored the intricate interplay of memory and identity through the archive of El Arbi Bouqdib. More than just a retrospective of an extraordinary thinker and outsider, the exhibition became a space where memory was presented as a fluid and dynamic concept. Bouqdib’s archive, a fascinating amalgamation of science, philosophy, and mystical reflections, served as the foundation for nine exceptional artists, each interpreting this multifaceted cosmos in their own distinctive way.

The installation ‘The Flower and Death’

The installation ‘The Flower and Death’

The works of the artists

The works featured in the exhibition were far more than aesthetic objects; they embodied a profound philosophical inquiry into the nature of memory, the impact of digitalisation, and the interplay between faith and science. Sergey Bratkov’s installation investigated the Koranic code and the significance of the number 19, while Elshan Ghasimi’s concept album ‘The Flower and Death’, along with Stark & Shakupa’s video installation of the same name, blended classical Persian music with contemporary biography and conceptual art. Ben Greber’s ‘Mr & Mrs Bouqdib’ offered a compelling exploration of the relationship between the unequal couple, while Michal MartychowiecPatrick Panetta, and Max Schaffer delved deeply into the themes of memory and materiality through their thought-provoking works.

Opening Neue Erinnerungen 2024

Events as places of intellectual exchange

Beyond the exhibition itself, a rich programme of events further enhanced the experience, strengthening the connections between diverse arts, cultures, and intellectual discourse. A standout highlight was the concert by Elshan Ghasimi and Philipp Püschel, which mesmerisingly blurred the lines between classical Persian music, jazz, and electronic sounds, showcasing art as a bridge between cultures and traditions. Additionally, talks and curator-led tours with the participating artists and academics provided deeper insights into the works, shedding light on their philosophical, historical, and artistic dimensions.

Click on the photo to watch the trailer of DUO Ghasimi & Püschel, founded in 2024, and their new programme SHANAMEH (The Book of Kings).

Fellowship for Sergey Bratkov

In 2024, the Berlin Senate awarded the renowned Ukrainian artist Sergey Bratkov the ‘Weltoffenes Berlin’ fellowship, along with a grant that allowed him to further develop his artistic voice and establish his position in his new home city of Berlin. Bratkov was joined in this endeavour by curator Eleonora Frolov. This marks the second time the Bublitz platform has sponsored this prestigious fellowship.

During this period, Bratkov has participated in numerous significant exhibitions and biennials. Highlights include My Brother’s Cats at the Kunstmuseum Magdeburg, Ukrainian Dreamers at the Kommunale Galerie Berlin, and Sense of Safety at the Yermilov Centre in Kharkiv, among others. Additionally, Sergey Bratkov and Eleonora Frolov have launched the ‘Bratkov + Frolov’ class, a series of inspiring workshops on conceptual photography held at the Schwartzsche Villa.

For those interested, guided tours of Bratkov’s new studio or his current works can be arranged via email upon request.

One of Bratkov’s new works, Horoscope for the European Union, created for the exhibition ‘New Memories’, features a cactus caught between staying in its pot or leaving it—a striking metaphor for the indecision and complexities of our era.

One of Bratkov’s new works, Horoscope for the European Union, created for the exhibition ‘New Memories’, features a cactus caught between staying in its pot or leaving it—a striking metaphor for the indecision and complexities of our era.

Greetings and outlook for 2025

We look ahead to the new year with confidence and warmly invite you to anticipate exciting upcoming projects, including Elshan Ghasimi’s latest Tasneef work cycle, premiering on 17th March at the Catholic Academy Berlin.

Finally, we extend our heartfelt thanks to everyone who helped shape 2024 with us: our artists, supporters, visitors, partner institutions, philanthropists, and all those whose dedication makes our work possible.

Kind regards and best wishes for a reflective end to the year,

Eleonora Frolov & JMH Schinde

Mr. & Mrs. Bouqdib

If you’re still searching for a meaningful gift as the year comes to a close, consider the exclusive edition of Ben Greber’s work ‘Mr. & Mrs. Bouqdib’. The ‘souvenir flowers’ from Maggie Bouqdib’s garden are intricately crafted from El Arbi Bouqdib’s calculator memory cards—an astonishing, shimmering synthesis of two worlds, or perhaps two entire cosmoses.

Edition: 18 unique pieces from the installation ‘Mr. and Mrs. Bouqdib’
OrderClick here

A Christmas greeting from the darkness: Michal Martychowiec's ‘What Remains the Poets Provide’.

A Christmas greeting from the darkness: Michal Martychowiec's ‘What Remains the Poets Provide’.

© Photos: Stefan Haehnel, Arne Ahlert, Timo Kahlisch, Michal Martychowiec

Posted by Joseph in News