thesaurós artists

“Where on earth is this Athens?”

“Where on earth is this Athens?”

“Where on earth is this Athens?”
“Far, far to the west. There, where Helios,
lord of us all, lets the sun sink.”

— Aeschylus, The Persians.

Berlin, 14 October 2025

Dear friends,

As you know, for nearly fifteen years, Bublitz has been dedicated to celebrating high cultures as the essence of the human spirit. In doing so, we do not discriminate, so long as it is high culture.

Since their very beginnings, Persian and European cultures have been closely intertwined, sharing many origins. With Herodotus’ Histories, historiography first separated itself from mythology and laid the foundation for historical analysis. They recount the rise of Persia to a hegemonic empire under the Achaemenid dynasty. Around forty years earlier, in 472 BC, the tragedian Aeschylus wrote The Persiansthe oldest surviving play in human history.

One of the many forgotten yet so formative coincidences of European high culture is precisely this millennia-old connection between Europe – or rather Greece – and the Persian cultural sphere. At the end of last year, the opportunity arose – beyond even Zack Snyder’s 300 – to honour this relationship in the Antiquities Collection in Munich, while at the same time indulging the Romantic longing for the revival of the deities.

In an act of performative as well as conceptual remembrance, the târ virtuoso Elshan Ghasimi revives the ancient interweaving of two cultural worlds. Pallas Athena, goddess of wisdom, becomes the patroness of her reinterpretation of the Radif – the repertoire of classical Persian music. The Barbarini Faun and the archaic kouroi enter into a poetic dialogue with the Persian epic Shahnameh and the trumpet of Philipp Püschel – further departures in a history spanning at least 2,500 years.

How else could we summon the gods, if not through music, contemplation and concentration?

On this occasion, we would like to draw your attention to the anniversary concert on 8 November at Morphine Raum. In this setting, a live recording will be created together with the audience – a resonant distillate of nine years of artistic work.

We wish you great enjoyment – and let us not forget, after Romain Rolland:
Pessimism of the intellect, optimism of the will.

Yours,
JMH Schindele

The Reinterpretation of the Radif at the Glyptothek Munich | Elshan Ghasimi

SHAHNAMEH at the Glyptothek Munich | Elshan Ghasimi & Philipp Püschel

Elshan Ghasimi in Conversation

© all media Georg Stirnweiß and Elshan Ghasimi

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Posted by Joseph in News
Elshan Ghasimi – „Tasneef“ · Fr 12.9. · 18:00 · Tieranatomisches Theater

Elshan Ghasimi – „Tasneef“ · Fr 12.9. · 18:00 · Tieranatomisches Theater

© rtr mediaproduction

© rtr mediaproduction

Dear Enthusiasts, 

On Friday, 12 September 2025Elshan Ghasimi will perform the fourth and, for now, final concert of her cycle “Tasneef” at the Tieranatomisches Theater (Campus Nord, Philippstraße 13, House 3, 10115 Berlin). 

Start: 6:00 pm

Arriving a bit earlier also allows a look at the small permanent exhibition and the exemplary neoclassical architecture of the venue. 

Admission is free.

All of Elshan Ghasimi's concerts

 

Supported by:

Posted by Joseph in News
Screening & Finissage · Tasneef-Final · Morphine-Raum

Screening & Finissage · Tasneef-Final · Morphine-Raum

Dear Festive Community,

Summer seemed to vanish before it even arrived – and now the rich array of autumn festivities is already upon us.

I am delighted to announce that Elshan Ghasimi’s long-awaited “final” Tasneef concert has at last secured one of Berlin’s most beautiful venues: the Tieranatomisches Theater (Charité Campus, Berlin-Mitte). Join us on 12 September 2025 at 6:00 pm – and feel free to come a bit earlier to admire the building’s extraordinary architecture and its small permanent exhibition.

Admission is free.

©Madeleine Brunnmeier_Image ©Morgan Morgan_Design

©Madeleine Brunnmeier_Image ©Morgan Morgan_Design

Morphine Raum · “Recording Session” with Elshan Ghasimi - 8 November

We’re excited to share an early highlight: at 8:00 pm on 8 November, Elshan Ghasimi will perform at Morphine Raum. Operated by Morphine Records, this unique venue is studio, stage, and sound laboratory in one – intimate, pared down to the essentials, and fitted with hand-crafted sculptural loudspeakers.

Founded at the very start of the pandemic, Morphine Raum has grown into a vital hub for international music – a retreat for collaboration, recording, and genre-defying experiments.

In this special setting, a live recording will be created together with the audience – a sonic distillation of nine years of artistic work.

Sergey Bratkov, Endless War, 2007, Video, 2,30min

Sergey Bratkov, Endless War, 2007, Video, 2,30min

Screening & Finissage · At the Threshold: Exile

On 3 September, we invite you to the Kommunale Galerie Berlin for a screening featuring works by Sergey Bratkov (Infinite War, Exile), Ula Golub (Arche Noah), Jalal Maghout (Have a Nice Dog!), Aline Kleytman (Place to See Before You Die), Oksana Kazmina (Yellow Dress), and Oksana Chepelyk (Chronicles of War).

The screening is part of the exhibition At the Threshold: Exile, curated by Eleonora Frolov. Six artistic voices from Ukraine and Syria do not merely document war and exile – they transform these realities into poetic, visual, and narrative forms. The result is a panorama of isolation, flight, fragmentation – and the deep longing to arrive.

The screening begins at 5:00 pm and will be followed by a Q&A with the artists.

On Sunday, 7 September, from 3:00 to 6:00 pm, the exhibition concludes with a finissage and a curator’s tour led by Eleonora Frolov.

We look forward to welcoming you at one or more of these events.

With warm regards,
Julian Malte H. Schindele

Supported by:

Posted by Joseph in News