Dear visitor,

Tomorrow, Saturday (6 p.m.), Michal Martychowiec's solo exhibition will open at Thesaurós in Uhlandstrasse, Berlin. Its hopeful title: Nachricht vom letzten Menschen [Message from the Last Man]. Please feel warmly invited to this celebration!

Since the last e-mail already caused some controversy - in particular about the figure of the 'panda' and its association with the last man - here a passage from the exhibition text as an appetizer. How does the artist come to associate the sweet, small, cuddly and oh so lovable creature with the last man and incorporation of decadence? Yes, to put it in community with the nihilistic god of death himself?

"In Martychowiec's work the panda is an unmasking symbol of decadence at the centre of a modernity that has long become empty. The panda stands for the last man at the end of history, bound between neoliberal normativity and the decoupling from his own historical-cultural becoming. As a pop cultural symbol, it is omnipresent and can also be interpreted as a medium of Chinese 'soft-power' politics. Pandas found their biological niche through a genetic mutation in the spine, which allowed them to sit comfortably. Bamboo, their primary food source, is poor in nutrients and must be eaten 16 hours a day. The species, which is already extinct in the wild, a museums piece, mostly lives in so-called panda villas. There they are looked after by guards and psychologists. Most reproductions occur through artificial insemination."

Ask yourself with us what might be the message of the last man.

Certainly, we do not know and can only interpret.

Yours,

Julian M. H. Schindele

Dear guests, dear readers,

We cordially invite you to the next opening of the exhibition by the Polish-British conceptual artist Michal Martychowiec on August 29th, from 6 p.m., in the Thesaurós. Uhlandstrasse.

The exhibition Message from the Last Man is an exploration of the symbolic cosmos of symbols and the new mythology of Martychowiecs. The two main protagonists in this exhibition are the figure of the incredulous Thomas and the figure of the panda bear. The latter takes on the 'role' of the last man in the artist's system, whereas Thomas confronts us as the archetypal believing doubter.

The exhibition is the third part of the cycle Mυθοποίηση - Mythopoesis curated by Julian M. H. Schindele.

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In accordance with the hygiene requirements, we will open the exhibition on Saturday, August 29th, from 6 p.m. to 8 p.m. During this period, we invite you to enter in small groups.

Otherwise, our normal opening times on Tuesday and Saturday afternoons from 3 p.m. to 6 p.m. and according to private agreements apply.