by
Year
2018
Size
130 x 100 cm
Material
C-Print
Edition
3 of 8
Price
on request
Name All is history
Size 25 x 75 cm
Year 2012
Name Blue#1
Size 175 x 220 cm
Year 2013
Name Blue#5
Size 175 x 220 cm
Year 2016
Name What remains the poets provide
Size 130 x 100 cm
Year 2018
Name Shred of Turin
Size 29 x 44 x 47 cm
Year 2018
Name After Wanderer above the Sea of Fog
Size 47,5 x 43,5 cm
Year 2020
Name Everything about the contemporary is panda: Piero Manzoni 1961
Size 75 x 100 cm
Year 2016
Name Everything about the contemporary is panda
Size 75 x 100 cm
Year 2016
Name Everything about the contemporary is panda (Francisco Goya)
Size 75 x 100 cm
Year 2017
Name Everything about the contemporary is panda (Kazimir Malevich)
Size 75 x 100 cm
Year 2017
Name Everything about the contemporary is panda (Bethan Huws)
Size 75 x 100 cm
Year 2017
Name Everything about the contemporary is panda
Size 75 x 100 cm
Year 2016
Name the historic level
Size 23 x 127 cm
Year 2017
Name Has Marcel Duchamp changed the world?
Size 25 x 220 cm
Year 2014
Name The incredulity of Saint Thomas: Limited by history
Size 15 x 21 cm (excl. broken panes of insulating glass)
Year 2020
Name The incredulity of Saint Thomas
Size 76 x 61 x 3 cm
Year 2015/2020
Name The incredulity of Saint Thomas
Size 36,5 x 29,5 x 2 cm
Year 2015/2020
Name Josephine 2017 (Blue)
Size 60 x 50 cm
Year 2017
Name Josephine 2018 (Red)
Size 60 x 50 cm
Year 2017
Name Josephine 2019 (Green)
Size 60 x 50 cm
Year 2017
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12047 Berlin
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So now the plan is fixed! Who would have expected that suddenly everything would be moving so fast?? Elshan Ghasimi made a suggestion, I gratefully accepted: She wants to set 38 objects from the estate of El Arbi Bouqdib into music. She wants to translate them into her own subjective and beautiful language of Classical Persian Music. In dialogue with uncertain pasts.
The objects/souvenirs/relics – how should I call these memorial stones? – will be ‘staged’ by Michal Martychowiec. The objects, their symbolic qualities form a polyphonic chorus that speaks of Bouqdib’s life. As a curator working with such diverse artists as a Persian musician and Martychowiec, an intellectual interrogator of 20th-century art, it is my concern to bring these different modes, possibilities and qualities into a common form.
For this, however, we need a new concept … The idea of the concert exhibition just popped into my head. After all, Ghasimi is giving concerts and is composing for objects. So, Concert-Exhibitions. Ephemeral and permanent …
Yes, it’s a huge question how a life can (and should!) be told. And I am happy (and a bit relieved even) that this long story of Bouqdib, his life, his time, his person and his work begin with music. After all, what could be freer as an approach? Almost like a dance and very volatile.
Our concern is the poetic reconstruction of the past. Truth and Fiction (Dichtung und Wahrheit) like good old Goethe said.
I am very happy to supervise and curate this project!
März 2018 (1397/1439 a.H.”)