by
Photographer
Stefan Hähnel
Year
2019
Size
46 x 70 cm
Material
C-Print
Edition
1
Price
1,200€ (inkl. VAT)
Artist Gabriel
Name Der Soldat der keinen Krieg führen wollte
Size 46 x 70 cm
Year 2019
Artist Gabriel
Name Unicorn V. Eucalypto
Size 50 x 66 cm
Year 2016
Artist GABRIEL & Julian M. H. Schindele
Name Zwei Antlitze – Die Wegkapellen-Madonna und die ephesische Artemis
Size 67 × 21 × 15 cm / 29 × 18 cm
Year 2020
Artist GABRIEL & Julian M. H. Schindele
Name Marianische Antiphonen I (Tafel)
Size 80 × 120 cm
Year 2020
Artist GABRIEL & Julian M. H. Schindele
Name Zwei Autoren: Feldarbeiter – Hausarbeiter
Size 111 × 38 × 50 cm
Year 2020
Artist GABRIEL
Name MA I – Die geleitete Feder
Size 80 × 120 cm
Year 2019
Artist GABRIEL
Name Urraum Altar & Die Dritte Waschung oder die Honigtaufe (tools)
Size 20 × 50 × 50 cm
Year 2017-2019
Artist GABRIEL
Name MA I – Die Dritte Waschung oder die Honigtaufe
Size 200 × 135 cm
Year 2019
Artist GABRIEL
Name Die Pflanze homo absconditus
Size 175 × 31 × 31 cm
Year 2020
Künstler GABRIEL & Julian M. H. Schindele
Name Paar #11: 1968–2019 (tools)
Size 24 × 25 × 33 cm
Year 1968–2019
Artist GABRIEL & Julian M. H. Schindele
Name Karte I – 15.9.2015–7.8.2019
Size 54 × 97 cm
Year 2019
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So now the plan is fixed! Who would have expected that suddenly everything would be moving so fast?? Elshan Ghasimi made a suggestion, I gratefully accepted: She wants to set 38 objects from the estate of El Arbi Bouqdib into music. She wants to translate them into her own subjective and beautiful language of Classical Persian Music. In dialogue with uncertain pasts.
The objects/souvenirs/relics – how should I call these memorial stones? – will be ‘staged’ by Michal Martychowiec. The objects, their symbolic qualities form a polyphonic chorus that speaks of Bouqdib’s life. As a curator working with such diverse artists as a Persian musician and Martychowiec, an intellectual interrogator of 20th-century art, it is my concern to bring these different modes, possibilities and qualities into a common form.
For this, however, we need a new concept … The idea of the concert exhibition just popped into my head. After all, Ghasimi is giving concerts and is composing for objects. So, Concert-Exhibitions. Ephemeral and permanent …
Yes, it’s a huge question how a life can (and should!) be told. And I am happy (and a bit relieved even) that this long story of Bouqdib, his life, his time, his person and his work begin with music. After all, what could be freer as an approach? Almost like a dance and very volatile.
Our concern is the poetic reconstruction of the past. Truth and Fiction (Dichtung und Wahrheit) like good old Goethe said.
I am very happy to supervise and curate this project!
März 2018 (1397/1439 a.H.”)